Heartsfelled is a storyteller, as old as time and as wise as any story.
This blog captures our adventure whilst filming "The Identity Stealer", an Anglo-Saxon Saga style story told by Heartsfelled with brilliant live action demon slaying and more .....
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The crew, Zak Wylde Productions, are getting the equipment ready;
the staff (that's me and Richard aka Brother Scuttle) are setting out the catering and comfort facilities; the artiste Heartsfelled (Nigel Gant) and his amanuensis (Julia) are preparing to fill the Museum of Stories with myth and magic ...
the next round of filming starts tomorrow and it's going to be fun.
Zak and a random Dalek check out new camera equipment.
Storyboards - the director and cinematographer create these and then either totally ignore them or use them as working guides to the shoot.
It is quite a thing to be the person that wrote the poetic saga which, years later, becomes realised in film form. There is a big helping of responsibility attached as I see this as an important (not at all irreplaceable but I would go so far as to say significant) step in the development of the very talented young Zak Wylde Holland's career. The director, makeup artists, costumiers, actors, and so-on all heave expectations. I may steer the ship alongside the Director from time-to-time, however, I am not to be lauded as anything more than a willing project assistant with a clear view on how things can be progressed. I am the writer and that is my raison d'etre. I look forward to the production with unbounded enthusiasm but the depth of my pleasure will be felt equally when the special edition book is released and I am holding it in my ink-stained hand!
On the matter of being a writer, I have been creating stories and poems since I was a very small child. I can recall back to when I was four or even younger, when I couldn't get to sleep (which seemed often in the way of my recall) my mother would say to me "Lie down, close your eyes, and tell yourself a story!" So I did. And I have been doing just that ever since. Songwriters and sometimes poets will tell you that if you can remember the words in the morning then it's a good piece, worth developing!
Of course the greater majority of what I have written in my adult, professional years has been textbooks and academic work. That's what happens when you go and get yourself a PhD (mine is Law and Business would you believe!) they expect you to research in-depth, write with great clarity and have a good, strong sense of purpose. Now that I have moved on and can fully indulge my passion for writing fiction I am finding that research habit very enriching.
Being a writer to the core also means that I am entrenched in the new book I am researching and creating as well as keeping a weather eye on my duties towards this wonderful Heartsfelled project. In time my role on this particular Heartsfelled film will melt away and I will sink down deep into the depths of being a writer once again. The fantasy fiction that I created in a previous life, under a different name was well received so, although I have no wish to revive that series or be that person again, I am very much enjoying the escape into my worlds and the people who come to me there. In the meantime, out here in the real world, sets are being built, choreography is being refined and all things are making excellent progress.
It's been a little while since my last post as I have been busy set-building and writing.
Whilst I've been busy doing that, the rest of the crew have been busy filming elsewhere as well as practising their martial arts skills and winning wonderful medals. Well done to all the Aisle O'Var Backsworders, Old Gamesters, and Team TE-MA Combat folks.
Yes, that's Zak Wylde Holland, our Director of Photography in the middle with some of his trophies and medals from this season. His radiant smile even more handsome in the sunshine at the Oyster Fayre.
And despite the bruises, oh yes, they have the bruises "the Kiss of The Ash" it is all done with an admirable spirit of sportsmanship, fair play and gentlemanly conduct. So proud to know them.
But, coming back to my main item for today, as I said I have been set building here in Lincolnshire along with my partner and Ghost from Times Past, Brother Scuttle (aka Richard Buck). As we have been building we've also been writing, Scuttle and I ... you see it wasn't until we stood inside the Museum of Stories that we realised what a mystical, magical place it really is. When you find your way there - and you have to remember to go through the "long forgotten door" with your heart and your mind open to the stories and the magic that lie beyond - when you find your way there you find that you are standing among a myriad of portals. Each portal leads to more than one other place where stories have been born and, if you know how, each story can be visited . . . But that's as much as I can tell you for now. I can sense Heartsfelled the Storyteller putting down the lap dogs and coming to put me in my place (gently of course) if I give away too much.
The film and the accompanying Special Edition Book will tell all, all in good time :)
If you're a film studies student or somebody who loves to understand what you see in the movies, then you'll be aware that even the most ordinary looking person on film has been made to look the way they do.
From the very earliest days of moviemaking, cosmetics artists have had to refine their skills to make movie makeup work. And the makeup artist is a true artist! They have to understand colour, light, shade and many aspects of photography.
For example, actors in silent films often had to wear very yellow makeup to compensate for the "orthochromatic" black and white film that was not able to capture anything red.
The first make-up range ever designed just for movies was launched in 1914, Max Factor's Supreme Greasepaint . . . you wouldn't want to name any cosmetic product anything-"grease" nowadays I guess!
1969 saw the longest ever single make-up application for a movie. For the "Illustrated Man" actor Rod Steiger had to be, well, illustrated! Applying those tattoos took a make-up artist and assistants 10 hours on the torso and another full day on the lower body, hands and legs! Personally, I cannot imagine being that patient.
On the other hand, where a film has many extras and special background actors, there needs to be a fast technique, you can't do everything by CGI. Frank Westmore had to make up several thousand extras each day for "The Ten Commandments" (1956). The spray-painting technique he developed to do the job quickly is still used.
Types of Makeup Artist:
Nowadays Hollywood's union regulations classify movie make-up artists based on the area of the actor's body being made up! A make-up artist is only allowed to apply cosmetics only from the top of the head to the top of the breastbone, from fingertips to wrists and from toes to ankles. On the other hand, a body make-up artist applies cosmetics as required to any other areas of the actor's body. While the regular make-up artist generally works throughout filming, the body make-up artist is hired per day when needed. The key make-up artist, or make-up designer, is the person in charge of the make-up department for a movie. During pre-production, the designer reads the script and meets with the directorand screenwriterto discuss their needs and ideas for the film.
The key make-up artist also will work with the key hair designer, costume designer, set designer and director of lighting throughout the film. After that, the key make-up artist researches and determines how to design the make-up and special make-up effects for the film.
GoT actress, Natalia Tena (property rights Game of Thrones / HBO)
Sometimes the MUA just has to prevent an actor or actress' features from bleaching out under the lights, sometimes enhance their beauty and sometimes, well, to switch off the beauty and dirty them up!
Often complex effects or prosthetics are handled by a special effects department or a consultant company. The key make-up artist also brings together additional make-up artists for the film, sets their work schedule and supervises them during production. She or he then has to check everybody's work, make sure the make-up applied matches the agreed style, and that continuity is maintained every day during shooting.
In addition, the key make-up artist develops and stays within a budget. Once prosthetics, hairpieces and other make-up elements are finalized, they all must be inventoried and stored when they are not in use.
Where there is a big team the key makeup artist might have a senior makeup artist under them who has responsibility for continuity as well as ordinary makeup artists and assistant makeup artists.
It's a long but creative day, finding solutions to make the 'look' and make that look work on screen. Putting it all on the actors from extremely early in the morning and then taking it all off again after the end of the working day. Annual earnings for makeup artists seem to start at around £14,500 per annum and can rise, over time and experience, to anything around £62,000 per year. A practised eye, skilled hands, creativity, determination and a splash of luck are required to get into this field, so it's a good thing to have a focus of interest like our Key Makeup Artist, Nealy Horsfield who really aims to get into blood scars and injuries for tv!
Nealy is already superb at what she does, now that I know her I'm excited to watch her career blossom. Here she is talking to me on the day she agreed to join our team:
Step One:
Go off on your own with a pad and a pencil and have an idea for a story.
Write it down (It doesn't have to be beautifully finished just grab the basic characters, plot points and events)
The reason you don't have to worry too much about the finer details at this point is because it will be completed by the director when he does his storyboards, decides what he can and cannot film on location, and works out what his actors can and cannot do!
Of course, if you want to present the story as a book then you'd better get writing in depth and find yourself a great editor to make it perfect with you.
Step Two:
Walk up to a) a Film Director or b) a Director of Cinematography or c) (and this would be preferable), a multi-millionaire who is one or both of the other things. I went for option a).
Having approached the film director, or whomever, you then need to talk about your story in such a way as to appeal to their imagination and coax them to say "ooh, yes! We could make a film of that!"
Of course, at this stage, you will be thinking small and uncomplicated thoughts about a few people making a nice video like the ones you make with your mobile, or even like the ones your dad used to make with one cine camera in the back garden!
Step Three:
Take a deep breath .... the director will now bring into being a whole crew of people with the most amazing sets of terrifying talent and technical skills.
They will walk about confidently saying things like "oh yes that can be made to fly!" and "Oh, I can airbrush that!" and before you know it they'll be looking at you like you're some kind of Industry Executive ... just smile and say yes a lot, they like that!
Steve Locsy is an unbelievably visionary special effects makeup artist - the fantasty demon monsters in Heartsfelled couldn't be being given their faces by anybody better - Steve is launching his own theatrical and film sfx makeup business and we are just privileged beyond belief to have him on our crew.
I'll feature Steve and each of the crew members individually in later blogs.
Hair Dresser Mark Brown is another person with the gift of creative vision - not only does he do the best gentlemen's hair in all of Bedfordshire, but when his imagination is sparked he turns ordinary folk into fantasy characters as if by magic ....
Heeeeeeere's Nealy. What a special and beautiful soul NEaly is. She has trained in makeup and beauty but is now setting out her stall to become a tv and film makeup and special effects makeup artist with a special interest in scars and injuries (think about all those hospital programmes and the myriad of film and tv series where she could ply her trade).
Nealy is in training but raring to go and again it is a genuine privilege to have her on our crew.
Jack Wilderspin is a director in the making. I cannot wait to do a blog about Jack in his own right.
For us he is working as cinematographer alongside our Director of Cinematography Zak Wylde Holland.
I will tell you about our actors and other good things in Friday's blog. In the meantime here is a "Show Reel" from Jack. If you don't know (and I did not) showreels are what actors, cameramen and directors create to show their styles and skills. ..... Enjoy:
(may contain strong language etc.)
I am truly looking forward to writing individual features for each of our team - Nigel and Julia, Pete, Tina and Zak, and all the wonderful folk you see in this blog and many more!
If there is anything you'd love to know - do leave me a note or ask a question.
Richard has kindly allowed me some time once again to put my ghostly memory to work and take a trip back into the past...
I must say I'm getting used to your way of life here in the future... Even though my beloved Priory is no more! Still I can wander the Streets of Spalding as a ghost and observe what I can of humanity, which I find very entertaining...
Horseless carts, boxes you speak into, boxes that copy your every movement and utterance, boxes that generate visions from other realms... This 'Web' people speak of? That is the most terrifying thing of all, and once again I observe Richard and his wife spending hours pouring over this 'Web' from yet another box... I don't believe in Magic... never have, there is a reason for all this as Richard has tried to explain... I think my time is not ready for all this jiggery pokery!
Today Richard had to go to the 'Dentist' or tooth Doctor as I discovered. He seemed to feel no pain or discomfort through the ordeal... Good for him!
I remember Brother Simeon at the Priory... He pulled out bad teeth and enjoyed every moment of the suffering of others. Mercifully I only ever had to have him pull one of my teeth, but it is said my cries could be heard all over Spalding and beyond into the very fens! I was told that his predecessor, Brother Maurice actually kept the teeth he removed! Even in God's good name could he be that foul? But it appears that you have drugs and medicines to reduce pain in your time, which can only be good. Richard says he's a martyr to his teeth... I never quite understand what that man is on about half the time!
Anyway it's raining today and quite miserable... I think I'll nip back to the netherworld or go and see Heartsfelled to swap a yarn or two... Pity I can't drink ale anymore, you should have seen me and him back in the day! Ha ha ha...
Oh, due to 'human error' in the last blog I just wish to confirm that I was born in 1068 the son of a Norman and a high ranking Saxon and went into the Priory at 15 to study and prepare for my vows.
Today I have such exciting news ... alongside all the developments for the film, Heartsfelled himself is really coming to life before my very eyes!
Today I have an extra special treat for history buffs, food fans, fantasy fiction enthusiasts and, indeed, anyone who loves good fun - our historic fabrics and authentic historic recipes expert, Julia Gant, has decided to produce a special book of recipes for you. The recipes will be Heartsfellled's favourite foods from across the centuries (as you know he is as old as time and as wise as every story). I'm told that the first recipe will be for "Chocolate Port" as Heartsfelled says that a sensible little nip of this always helps the stories to flow. Apparently, this week, he is claiming to be responsible for the invention of every good recipe ever written ... ! To give you an idea of just how seriously good Julia is, only four years ago she catered "The Grand Ball at Villa de Molina" that was in the ground floor of Napoleon's villa on Elba. The recipes were Careme, Glasse, and Raffald, taken from the originals. The structure was based on one that grande cuisine, French Chef Marie-Antoine Careme himself did for Napoleon. The recipes will be drawn from all eras and will be embellished with stories and pictures of Heartsfelled to explain how or why each became his one of his memorable favourites. Not only will this book be fun but it will also give you authentic recipes and fascinating historic insights.
A peek at one of the special 4and20 tables ....
Heartsfelled can be seen here (and yes, that's Julia) appreciating L'art de la Cuisine Francais - this photo taken at Elba!
Wowza! Today I got a sneak preview of one of the bespoke masks for one of our demons. This is the second demon costume to come together (you've seen the preview of the first one modelled by beautiful Amy, in an earlier post).
It's so exciting to see such craftsmanship and to know that your characters are going to come to life and look so good. The demon battles are going to be amazing, I cannot wait until filming starts this summer.
Don't forget you can pre-order dvd or book or both, or get yourself an exclusive T shirt or sweatshirt and at the same time be supporting this project just go to - https://www.crowdfunder.co.uk/heartsfelled
The Great Thirsty Higghorþ under design
in the workshops of Barefoot Leather.
Those of you who've visited this blog before will be pretty familiar with our character, Heartsfelled. You'll know about him being a storyteller as old as time. And, you maybe know that in the upcoming film, Heartsfelled is telling a story called The Identity Stealer.
However, some folk are not so sure about the story of the Identity Stealer, so settle back and I'll explain:
The story actually began as a lengthy poem that I created when I was a performance poet.
Patrisha, the Poet
The poem is called The Fyrdwhaet Saga and because I was feeling adventurous, it a few lines in Anglo-Saxon English. Based on someone I knew, it's a set of verses about a charismatic warrior who absorbs people's time and attention so much that I call him Fyrdhwaet,The Identity Stealer. Being an academic myself, but not being at all an expert or knowledgeable about Anglo-Saxon English, I took the poem to some learned experts to verify that I had written them well enough. To be honest, I expected them to laugh and pat me on the head and that would be the end of that little project ... so you can imagine how happy I was to be told to think of it as the beginning of a full-length saga and to keep on writing it. And so it developed!
Patrisha, the scholar
In that first set of verses, “Fyrdhwæt, The Identity Stealer” (his name meaning brave or warlike), we are told that his mother who bore him and all of his friends, his family, even his wife, find that in his presence their sense of self and identity become thwarted and sucked away. So people turn away from him.
I spend happy hours researching Anglo-Saxon words and syntax to the best of my capability.
It's tricky, not least because our knowledge of this long-ago language is restricted to the few sagas and documents we have in the original (such as the wonderful Beowulf), but there's Bosworth and Toller's Dictionary and by the time I was writing this there was becoming some pretty good help on the internet too. Coming back to the story itself, what we find in the tale of Fyrdhwaet is that he is brave and good at heart. So, when I extended his story to build the Saga it seemed right and proper that he become the slayer of his people's demons.
The Green Man is gone!
I thought hard about olde Englyshe customs and mythology and about how peoples seemed to 'worship' many gods and goddesses, each of which had a role to play in daily life such as bringing forth good crops, clean water or good weather or rain as and when needed. Similarly, the people's demons were creatures of nature, or rather of disturbed nature. So I designed my demons to be the bringers of bad times such as crop failure, drought, or scary darkness (eclipse).
Naturally, the people begin to starve and would have died out (apathy seems prevalent) if it weren't for one small, lone voice who manages to call upon Fyrdhwæt. The sun won't shine so Fyrdhwæt slays the monster in the dark, alone and unrecognized.
In the second set of verses: “Bealltain” and “The Silken Tretraw” we are introduced to the first of three demons, the Tretraw. It is a beast which arrives at the beginning of spring, during the spring festival procession, and it commences to eat up all the trees and green growth, positing stones and rock in the place of sacred woods and vital agriculture.
In the third set of verses: “Alban Heruin” and “The Thirsty Higghorþ” (a demon drank up the oxygen)
This Thirsty Higghorþ [pronounced High-hoarth . . . with a silent 'p' before the 'th' if you can manage it] makes its living by drinking all the oxygen and goodness from the air. Once again a small, lone voice manages to call our hero Fyrdhwæt. The sun won't shine on the battle so our hero struggles until he has slain the monster and saved the people.
In the final set of verses: “Samhain” and “The Miserable Maghmaugh” [pron:maw-maw] we witness our hero as he slays his third and final demon. This one is a dwimor or ghost which dries out all the water supplies and sacred wells by turning the waters to rosin.
Having written all this, and performed it a couple of times, I set the poem aside to gather dust on a shelf somewhere and almost forgot all about it while tide and times shaped and reshaped my days.
. . . Then, during the Christmas break of 2017 while I was idle and supposed to be resting,
Patricia watches Zak of Zak Wylde Productions
Julia Gant, Costumier and actress
Nigel Gant - Heartsfelled
I suddenly had the idea of taking the Saga to some new friends who just happened to be first class historians, re-enactors, experimental archaeologists and filmmakers . . ! I even discovered that Nigel Gant, who will play Heartsfelled, has actually studied Anglo-Saxon English. There's not so much of it in the film as we wanted the tale to be accessible to everybody, and lovely Nigel has made it perfect!
Director and special action actor Pete Holland of Zak Wylde Productions
As a production team, we've talked and we've worked and we've had a great time bringing this project together.
At time of writing, we've got the opening sequence under our belts and are looking forward to a long summer of filming the three battle sequences as well as Heartsfelled himself in his Museum of Stories.
For the purposes of telling the story well, we have designed and represented the demons in animal
Amy - the beautiful side of the cunning
Miserable Maghmaugh!
form. I felt this would be close to Anglo-Saxon thinking. The Silken Tretraw is a wolf, the Higghorþ is a wild boar and the Miserable Maghmaugh is a deer.
. . . Oh, and Tretraw, Higghorþ and Maghmaugh are names I made up! I hope that answers for you. Thanks again for your interest.
If you would like to pre-order your copy of the film, film and book or if you would like to have a special Heartsfelled T-shirt or sweatshirt or even a mug, or perhaps you'd like to come visit us on-set in Lincolnshire . . . then why not show your support and visit https://www.crowdfunder.co.uk/heartsfelled
